Tanguy Viel, The Black Note, 1998, Midnight
sure to follow! Paul, the saxophonist, they nicknamed him John because of John Coltrane, George, on bass, Jimmy was, and Christian, had become Elvin. Even the house on the island, when they moved together to play, they wanted the nickname: they called Black Note. The clinic where they took him, the narrator and the group continues to trumpet this time rehashing of common life. Logorrhea verbal verbiage, chapters in a single paragraph without breaths, long sentences. Jazz, but at what price! Notes: (Chapter 1) "Its name, drummer, Elvin was and the man on bass, Jimmy, Jimmy Garrison as [...] For George, it had hesitated a long time with Charlie, like Charles Mingus [ ...] because of the Coltrane quartet, so he wanted us to have the names of the musicians of the quartet, the real sixties [...] it does not even call you when Miles as Miles Davis. And therefore Paul is nicknamed him John, as John Coltrane, Coltrane because it was our idol at all. But as Paul, he played a saxophone that belonged to John Coltrane that's what he told us, the last in which Coltrane's saxophone blew [...] he was delirious again and was convinced it was the real saxophone, the real John Coltrane who had offered [...] and s dragged her to return the pieces of Coltrane [...] it would still be impossible, because we do not repeat the Coltrane quartet with a trumpet, but with a piano. John asked me to put myself at the piano, he said that if I was putting my piano Thelonious nicknamed me they would like Thelonious Monk [...] they have never wanted to be called Miles as Miles Davis or Thelonious Monk Thelonious as [ ...] he said he would die soon, at forty he said, to die like the real John Coltrane, at the same age [...] I said to my reflection, 'You'll never Miles Davis [...] the saxophone would have sold cheaper, if had withdrawn the added value that the saxophone had belonged to John Coltrane [...] The same bass Jimmy Garrison, who played with Coltrane in 1965, but not exactly the same, the same model yes, but not one with which the Garrison played true in 1965 [...] While John, of course, he never provided evidence that the saxophone had belonged to John Coltrane [...] you will not see the resemblance with the real instruments quartet Coltrane. Me, my instrument flying does nothing, neither sounds nor looks at the trumpet of Miles Davis [...] because I did not put me on the piano, and we could not take the songs of John Coltrane [... ] "To Spread The Rhythm", once said in speaking of John Coltrane, Elvin Jones, the real, you know, those of the sixties, when Coltrane playing My Favorite Things, and Elvin Jones was the best drummer world [...] he would never have supported the deployment pace on the battery of another, even when his name is Elvin Jones, Rashied Ali, where [...] John listened to anyone when we played, then it might not call me Miles Davis, when there was that he could be heard outside "(Chapter 2)" we will resume the songs of the sixties, the songs of John Coltrane [...] we are the jazz quartet for the next decade, we are immortal [...] with the impression that the new John Coltrane [...] But I've never had a nickname, I've never called Miles [...] For me, it's over, I do want to touch up a trumpet in my life because I know I'll never Miles Davis [...] Why him he could be called John Coltrane playing the saxophone [...] It removes that you hear the songs again in a den of Coltrane submarine
(Chapter 3) "would play, my trumpet, you what you want, if you like the saxophone, double bass, provided it be jazz, I can call you Sonny, as Sonny Rollins and Duke, as Duke Ellington. You would take the nickname you want. There would be no need to lie and say that our instruments have belonged to Sonny Rollins, Duke Ellington or [...] nobody can really know if it was not John Coltrane [...] with the saxophone next to him say it: John Coltrane [...] This is why we can not be friends, both of them, are like the musicians of the quartet of Coltrane, as the real years sixty, they can not be friends because AMIS can be angry, and nothing is ever as before, and forget [...] The best jazz musicians in the world, "repeated John, we give a name that will as famous as the quartet of John Coltrane "
(Chapter 4)" He was white, which took him more than we do for a black American for John Coltrane, the jazz when it was occupied first by big words "
(Chapter 5) "Good surprise: there is none!"
Damned! I forgot to mention: "Because I die and you live your ashes in my love" (Tristan L'Hermite) brother Bernard?
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